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Monday, January 30, 2017
Fwd: the collision
Sent to awaken the most extraordinary CE-5 event
Begin forwarded message:
From: Julian Thomas <blackaugustent@gmail.com>
Date: January 30, 2017 at 10:36:48 AM CST
To: "alex h.melise" <complexlex@gmail.com>
Subject: the collision
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wls 777 since 1971.
Listen to my latest scratch routine!
http://scratch.edjing.com/scratch/J9Iu2
wls 777 since 1971. Jazz
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wls 777 since 1971.Saturday, November 5, 2016
Tuesday, November 1, 2016
Wsb
by Lord Summerisle
The Cut-Up Technique and Trilogy
Burroughs accumulated a great amount of challenging theories during his lifetime. Many of them manifest themselves in theme form inside his writing, which is where one finds the more autobiographical elements to his work, issues of sexuality, addiction and paranoia; Burroughs own life entering the fiction to create his 'Interzone'*. Jack Sargeant writes, speaking of Burroughs post 50's work in Naked Lens; Beat Cinema (2001), "The dualism of 'fiction' and 'non-fiction' is, of course, redundant when dealing with these texts, a more appropriate terminology would be 'slipstream'."
Others are formal techniques like the cut-up, which have direct effect on the content and are designed to question the interplay between writer and reader, as well as language itself.
The most effective way of examining all of these elements is to look at his 1960's writing, a period where Burroughs was developing his anarchistic political literary approach and when his various collaborations began to bare fruit. The most radical example of this is the invention of the cut-up technique. A method synonymous with Burroughs, although it was his artist friend and neighbour, Brion Gysin, who devised it in September, 1959, in room #15 at the Beat Hotel, 9 Rue Git La Coeur, Paris. He was preparing a mount for a drawing of his with a stanley knife and cut through several layers of newspaper. "Through this apparently random event the written text was opened to the potentialities of montage and juxtaposition." (p.169, Sargeant, 2001) Gysin was excited by this and claimed that it was what writing needed to bring it up to date with art, comparing it to Cubist painting.
Later he wrote of this in his and Burroughs collaborative book The Third Mind (1979), "Writing is fifty years behind painting. I propose to apply the painters' techniques to writing; things as simple and immediate as collage or montage."
He imparted its importance to Burroughs and others, as they were not the only ones to benefit from Gysin's initial serendipity and subsequent epiphany. Many residents and cohorts of the Beat Hotel took to the idea, Burroughs was just the one who applied it best.
Burroughs himself utilised the cut-up for his own purposes throughout his 60's literature and film collaborations, to challenge the media of both writing and cinema.
In The Soft Machine the cut-up is used experimentally and all three editions of the book have a variable amount of cut-up material in them, although it is difficult to specify or identify where these areas lie as his writing by its very nature is fragmentary and abstract** so using the cut-up technique is just another tool to disorientate the reader and create conflict through the opposition of established methods.
"Burroughs creates conflict through opposition to authority, and this includes the authority of established methods of plot, time and space in novels and the readers' response to them." (p.12, Mottram, 1964)
The concept of disorientation through opposition is a central one essay and is something present within all Burroughs own and influenced works as it is key as the disruption of 'control'.
Control is a theme that was spawned by the drug induced paranoia of his early books, Junkie and Naked Lunch, then developed as he became more politically aware, into a broader concept of power against those who oppose it, in the cut-up trilogy The Soft Machine, The Ticket That Exploded and Nova Express. This, of course, runs along side the 'virus power' notion (which will be elaborated on in the following section) and his distrust of and opposition to conventional language, reinforced by the chaos of cut-up, and in the case of the latter two books, folded-in, material. This technique relates to space and time, and to Burroughs this accentuated the science fiction context of the cut-up trilogy to actively travelling through space-time in the writing process.
"A Russian scientist has said that we will travel, not only in space, but in time as well, that is to travel in space is to travel in time, and if writers are to travel in space-time and explore the areas opened in the space age, I think they must develop techniques as new and definite as the technique of physical space travel." (William S Burroughs interviewed by Eric Mottram in 1964, [p.14, Hibbard, 1999])
This is shown in this passage from The Soft Machine (p.50):
"Now when I fold today's paper in with yesterday's paper and arrange the picture's to form a time section montage I am literally moving back to the time when I read yesterday's paper, that is travelling in time back to yesterday – I did this eight hours a day for three months – I went back as far as the papers went – I dug out old magazines and forgotten novels and letters – I made fold-ins and composites and I did the same with photos"
The passage not only shows how important he viewed the cut-up, but also provides an example of the way much of his literature works. Burroughs brings form into the content, characteristically expressing his ideas directly through the fictional context of a character within the text. It will become clear how recurrent Sargeant's 'slipstream' notion is as the body of this work progresses, and how it is equally relevant to film.
Not only do some of Burroughs' concepts appear overtly in his work but also his personal life is threaded throughout his fictional writing. There are overt references similar to the discussed passage in which his personal life is cut into the text. For example, in The Soft Machine Burroughs refers to his homosexual lover Kiki several times, once briefly describing his death, which had occurred a few years previously. The character Kiki also appears in the film version of Naked Lunch, which is very much a continuation of the 'slipstream' fiction/non-fiction amalgamation, this will be discussed fully when deconstructing the film and its connections to Burroughs literary concepts.
There are also non overt themes expressed through motif or narrative devise to convey personal positioning with regards to many issues: Sexuality (Burroughs was a known homosexual, coming out soon after Joan's death), much of his writing contains explicit homosexual imagery and women feature in perfunctory roles, if at all. Drugs and addiction, trademark Beat concerns, are also central to Burroughs work (as they were to his life) Corruption, part of the control paranoia he was concerned with at this period that is also connected to 'the word virus'.
Rubbing Out the Word
The reason Burroughs wanted to deconstruct standard conventions of language was to discover "what words actually are, and exactly what is the relationship to the human nervous system." (p.12, Mottram, 1964) His writing is waging a war against conventions of language through the cut-up to make the reader step back and re-assess their role as well as the psychological construction of conventional language. He comments about this in The Algebra of Need (p.155, Mottram, 1977), "Now, rubbing out the word could make objective alterations in this actual physico-psychological structure. What these alterations would be we have no way of knowing…" One can see here where his anarchistic attitude to language stems from. He continues to discuss how the practise of language connects to a war society that is in harmony with the 'virus power'. "Verbalisation has got us precisely where we are: war is a word. The whole war universe is a verbal universe, which means they've got us in the impasse. And in order to break out of that impasse it would seem desirable to explore alternative methods of communication." His books are furnished with weaponry of various kinds symbolic of his war on language and consciousness as well as controlling powers.
Wsb
wls777
Sunday, October 16, 2016
Fwd: 2 Opportunities to see /hear Dr. Greer
Sent to awaken the most extraordinary CE-5 event
Begin forwarded message:
From: "Dr. Steven Greer" <info@siriusdisclosure.com>
Date: October 16, 2016 at 11:33:48 AM CDT
To: Complexlex@gmail.com
Subject: 2 Opportunities to see /hear Dr. Greer
Reply-To: info@siriusdisclosure.com
In depth - Contact - Nov 12 / Cosmic False Flag - Nov 13![]()
In Depth - Contact - November 12 - Cosmic False Flag - November 13
2 opportunities to see/hear Dr. Greervia lecture and webinar
(These are the only appearances Dr. Greer has scheduled for the rest of 2016.)November 12 - Contact and Higher States of Consciousness - Laughlin NV - Saturday November 12 - 2pm - 4pmas part of StarworksUSA.com A very special UFO conference emphasizing Art, Music and UFOs - The Evolution of Human Consciousness.Dr. Greer will share recent experiences from the Joshua Tree expedition in September + photos and videos from other CE-5 Expeditions.November 13 - Cosmic False Flaglecture and webinar in Las Vegas NV.7pm -10pm pacific time - Greenspun Auditorium at UNLV.
HOW COVERT INTERESTS ARE LAYING THE FOUNDATION FOR A FALSE ALIEN THREAT AND A POTENTIAL MILITARISTIC TAKEOVER OF THE EARTH- 1940S- PRESENTIn the most shocking and important seminar you will ever hear on the UFO/ ET subject, Dr. Steven Greer will present the history, methods and plans for a staged, covert Cosmic 911.What you learn will disturb you. It will enlighten you. But be prepared- this information will be shocking and true.Knowledge is power: This means by knowing of these nefarious plans, we can avert them!This is the event you absolutely do not want to miss!You will learn:> How the false alien threat has already been hoaxed- and how this has been accomplished. Names will be named: You will learn how the deep national security state and covert military operations have staged false Alien Abductions, Mutilations- and what technologies have been used.> What technologies have been developed since the 1940s that enable para-military Unacknowledged Special Access Projects (USAPs) to affect consciousness, stage false Alien events and plant the seeds of fear to justify a scripted Armageddon !> How man-made UFOs, hollywood-style staging and very advanced electronic warfare systems enable USAPs to stage abductions, mutilations and other false-flag events - and how these have conditioned and prepared the world through the fear of Aliens for the coming hoax of an official Alien Threat.> New Official Air Force whistle-blower testimony confirms the false flag plan and the intent to achieve it!> The emergence by 1956 of advanced electronic warfare technologies that affect consciousness- and how these pscho-tronics can give the target (victim) ANY experience that is scripted.> The connection between the so-called Secret Space Program, the MK-Ultra projects and the experiences of victims like Corey Good and Bill Thompkin- How USAPs have created pre-positioned Manchurian Candidates through programmed experiences using electronic warfare mind-altering technologies.Click here for tickets for live presentation - Cosmic False Flag
Sirius Technology Advanced Research, LLCPO Box 265, Crozet, VA 22932
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Sent by info@siriusdisclosure.com in collaboration with
Monday, October 10, 2016
Saturday, September 24, 2016
Friday, September 23, 2016
Metaelection 20000
amb avant23garde ink - Yahoo Groups
metaelection 2000- by will "lincoln"
schafer<br><br>airplanes over st. louis airplanes crash <br>I would have
voted nader if I did vote. I walked into my childhood
haunt thornhill library at 9:45 this morning and
angered at the moron drivers in the parking lot. Was I
the only young person present wearing a black hoodie
lincoln patch. I walked out for the lines were abyssmal
with old people. anyways I was thrilled at the massive
indecision of this dead heat. <br>I campaign for third
party.<br><br>tippergore u get what's comin' to you for your intrusion
upon music in the early 80's <br><br>last night I
watched a pbs show upon the candidates. both drug users
that's encouraging. gush + bore, what difference. Gore's
a natural born loser....lost his own state for gosh
sake. bush a playboy winner ran a baseball team w/
nolan ryan. yep like a massive hardon florida was
stroked late into the early morning...It is 25 minutes
past that horrible -and I mean terrible- version of
'america the beautiful' in texas. and I am genuflecting
upon my own political participation(nonparticipation)
I truly did not mind clinton cause what's the
kingscapegoat for but to entertain. would al gore entertain ?
no.. will bush? already proven on our humor barometer
of late night sitcom trash generators.
<br><br>planes fall from the sky....I drive by lambert and see
plane crashes all around us. important plane crashes
indeed! <br>missouri is a fascinating place...more
preferable than newyork or seattle. poor
chicago......<br>the guns and the rural still hold reign.<br><br>bush
n'the cia...and eh what whas jeb doing there in the
first place...<br>why did carnahans plane go down? will
they all get along...just wish the best for the
country even if theyre system is questionable. <br>today
fortunatly I called on my powers to be an observing canadian
god knows I'm not your typical american.<br><br>meybe
this is the new era of chill vs. the uptight with
chill winning in all of the strangest
places-republican!-<br><br>well here's to unity<br><br>godspeed amerika
wls 777 since 1971.
Tuesday, September 20, 2016
I hope every tendril of your best friend meth makes you see the light
Its making me strong again being sober
Thank you
What hurts the most is that your at a stage of addiction where excuses and dope comfort the inteligence more than the truth and belials worthless lies erode the sirens emergency call for you
As hades mud covers the
Sign that says play at your own risk as karma erases the fissures of esteem in the styx aquamarine tonetensors dissonar
Disassociates the social nice
The paranoid lice of normalcy make us conform with a hair cut
I have no love for these states of anti all thongs considered Bi sectz phoniapobias
Wordsmith i am knotte
The blood flower angel glide was never nutting
But a little whyte lie
Like a dizzying grace note
Of out phrase pollack joke
Truly taste the pain refeains of classical
Whimsy
You are wimpy when you remind me that the race kard is a moot fear that unknowing let the count drac in to terrorize yallz
Neihborhood
Plz quit blaming me
I enjoyed every minute of the escapist plot
I hate the privi we both get
I hate that not selfish enuff to own this dilapidated pharm.
I am no capitalist
Nor can i be a fascist maskerraid ball
Natl sociotelescope
I&👁reccibo the
Sifting grift of your flour
Sent to awaken the most extraordinary CE-5 event
Monday, September 19, 2016
Sunday, September 18, 2016
Thursday, September 8, 2016
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wls777









