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Brian Eno on music that thinks for itself
http://bit.ly/QAmyU7
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version 6.1 . I wish to honor the ancestral simulation- advent of the singularity. The singularity as Marilyn Monroe. The grandfather of the modern computer inventor of the adding machine william s burroughs.
Sunday, September 30, 2012
Saturday, September 29, 2012
Friday, September 28, 2012
Thursday, September 27, 2012
Taint true
Taint true. Everyone is in their OWN universe with its set and setting. Interpenetrated within dizzingly complex MULTiVERSE. Communication is always plagued with signal to ratio drop. Noise in the system. Complexity upon complexity. Ones truth is not neccesarily a multiversal truth (specially if they are crazy/psychotic/schizophrenic ---they are not percieving multiverse data correctly if at all)
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Sent via BlackBerry by AT&T
Wednesday, September 26, 2012
Salty Dog Restaurant
1 (718) 238-0030
7509 3rd Avenue, Brooklyn, NY 11209
http://m.google.com/u/m/xbMeIe
1 (718) 238-0030
7509 3rd Avenue, Brooklyn, NY 11209
http://m.google.com/u/m/xbMeIe
You have received a YouTube video!
http://www.youtube.com/watch?v=g0_BlUbGBSo&sns=em
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Sent via BlackBerry by AT&T
Sunday, September 23, 2012
Saturday, September 22, 2012
Friday, September 21, 2012
Thursday, September 20, 2012
Wednesday, September 19, 2012
e Pat Sajak Assassins
Everybody likes the "cool part" of a song. You know, the cool part -- the part where three people listening to a record in a room turn to each other and begin nodding their heads in unison. It's usually an instrumental break or bridge about two-thirds of the way through -- and if you can't recognize a cool part when you hear one, the guy sitting in the room who's stoned will be more than happy to point it out for you.
The Pat Sajak Assassins, this year's victors in the Noise/Experimental category, definitely like the cool part of a song -- their "experiment," as it were, seems to be to craft lengthy instrumental pop songs entirely out of "cool parts." Mixing rock & roll's phallic forward thrust to free-jazz skronk, the Assassins' music is endearingly schizophrenic and perfectly crafted for today's short attention span. Whenever something in a song seems like it's getting old, why not try something new? That part that sounds a bit like a sax-only rendition of Frank Zappa's "Peaches in Regalia" maneuvers easily into straight-ahead cock rock and ends up in found-sound sampled noise. Cool parts abound.
Everybody likes the "cool part" of a song. You know, the cool part -- the part where three people listening to a record in a room turn to each other and begin nodding their heads in unison. It's usually an instrumental break or bridge about two-thirds of the way through -- and if you can't recognize a cool part when you hear one, the guy sitting in the room who's stoned will be more than happy to point it out for you.
The Pat Sajak Assassins, this year's victors in the Noise/Experimental category, definitely like the cool part of a song -- their "experiment," as it were, seems to be to craft lengthy instrumental pop songs entirely out of "cool parts." Mixing rock & roll's phallic forward thrust to free-jazz skronk, the Assassins' music is endearingly schizophrenic and perfectly crafted for today's short attention span. Whenever something in a song seems like it's getting old, why not try something new? That part that sounds a bit like a sax-only rendition of Frank Zappa's "Peaches in Regalia" maneuvers easily into straight-ahead cock rock and ends up in found-sound sampled noise. Cool parts abound.
Thursday, September 13, 2012
Monday, September 10, 2012
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